Articles | Open Access | DOI: https://doi.org/10.37547/tajssei/Volume03Issue03-26

Sound Capabilities In Traditional Performance

Utkir Tugulov , Teacher, Department Of “Music Education”, Jizzakh State Pedagogical University, Uzbekistan

Abstract

This article describes the unique ways in which the sound possibilities of traditional performance affect all branches of the art of memorization in traditional performance.

Keywords

Memorization, criterion, tradition, ritual, dignity, perfection, interpretation, sound, laughter, fake performer, listener, falsetto

References

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The falcet method can be imagined in the performance of the well-known singer Tavakkal Kadyrov. However, it should be noted that this singer sings the falcett in accordance with the Uzbek method of "tanglay orti ovozi". As a result, the voice sounds strong and eloquent. (Фальцет усулини, айни пайтда таниқли хонанда Таваккал Қодиров ижроси мисолида тасаввур этиш мумкин. Лекин, қайд этиш жоизки бу хонанда фальцет ижро усулини ўзбекона «танглай орти овози» усули билан уйгун ҳолда тараннум этади. Натижада овоз кучли ва забардаст киёфада янграйди.)

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Utkir Tugulov. (2021). Sound Capabilities In Traditional Performance. The American Journal of Social Science and Education Innovations, 3(03), 190–196. https://doi.org/10.37547/tajssei/Volume03Issue03-26