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Social Sciences OPEN ACCESS

WAYS TO ACTIVATE THE AUDIENCE DURING A THEATRICAL PERFORMANCE

Dr. Akbar Kh. Atamukhamedov
Researcher, Phd In Art Sciences Uzbekistan State Institute Of Arts And Culture, Uzbekistan
tajssei 2024
VOL. 6 / NO. 09 SEPTEMBER
VOLUME 6
ISSUE 09
YEAR 2024
PAGES 213-216

Abstract

Activating the audience at a theatrical performance is a key element for creating an interactive and memorable experience. This article provides ways to activate the audience during a theatrical performance at each stage of its organization. Each of these methods can be adapted to a specific audience and type of performance, which will create a deeper connection with the public and make the theatrical performance memorable and unique. In modern theater, active interaction with the audience is becoming increasingly important. The viewer is not just a passive observer, he is an important element of the action, and it is his involvement that determines how successful the performance will be. In this article, we will look at the key ways to activate the audience at a theatrical performance, which can turn a classic performance into a truly lively and memorable event.

Keywords

Culture holidays personality

References

  1. Presidential Decree No. 4947 "On the strategy of actions for the further development of the Republic of Uzbekistan in 2017-2021" dated February 7, 2017.
  2. Antonova, L. I. "Interactive technologies in modern theater: experience and prospects". — Moscow: Art and Culture, 2020.
  3. Boyko, A.M. "Gamification as a method of audience activation: application in cultural events" // Contemporary Art and Media, 2021. — Vol. 5, No. 2, pp. 34-45.
  4. Grechneva, I. V. "Effective methods of interaction with the audience in theatrical productions" // Bulletin of Theatrical Art, 2019. — Vol. 3, No. 1, pp. 12-20.
  5. Yerofeyev, D. S. "Psychology of perception of entertainment events". — St. Petersburg: Nevsky Prospekt, 2018.
  6. Ivanova, N. V., Serebryakov, O. L. "Innovative methods of attracting a youth audience to theatrical art" // Theater and Society, 2022. — Vol. 8, No. 3, pp. 45-60.