The article describes the artistic features of harmonizing the visual and artistic means of Uzbekistan based on the analysis of theoretical sources and the practice of architecture. Also, the author's position on the definition of creation is outlined as a generalization of innovative tools in architecture, whose development is given taking into account national traditions in synthesis with modern trends.

Harmony of art, design, interior, application of innovative means, modern, traditional, local conditions, national features, trends, analysis, decor, practice, ornament, form

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