Articles
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SHAHMAQOM: UZBEK NATIONAL MUSICAL HERITAGE AND ITS INSTRUMENTAL DIRECTIONS
DOI
Crossref DOI
10.37547/tajiir/Volume06Issue11-16
tajiir
2024
VOL. 6
/ NO. 11
NOVEMBER
RESEARCH OVERVIEW
Abstract
This article is aimed at a comprehensive in-depth study and promotion of the creativity and activities of our past great teachers, their unique and inimitable performing skills in promoting our national musical art to a new level. It also tells in detail about the instrumental performing styles of the Shashmakom, their names and features, considered a masterpiece of the immortal art of the Uzbek people.
RESEARCH TOPICS
Keywords
Mаkom songs
musicаl instruments
Tаsnifi Buzruk
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References
- Rajabov I. Maqomlar (Toshkent, 2006)
- • This work delves into the maqom (a traditional system of musical modes in Central Asian music), exploring its structure, history, and significance in Uzbek musical culture.
- Belyaev V.M. Uzbekskoye Narodnoye Muzykal'noye Tvorchestvo (T.: Izdat. Lit. i Iskusstva im. G.Gulyama, 1976)
- • This book discusses Uzbek folk music, focusing on its diversity and evolution within the context of Uzbekistan's cultural heritage.
- Fitrat A. O‘zbek Klasik Musiqasi va Uning Tarixi (T., 1993)
- • Fitrat's book is a comprehensive overview of Uzbek classical music, examining its historical development, major composers, and unique features within the broader context of Central Asian music.
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- • A detailed academic study of percussion instruments in Central Asian music, specifically focusing on the use of drum instruments (urma zarb) in the music of Uzbekistan and Tajikistan.
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- • A musical dictionary that provides definitions and explanations of terms related to music, with a focus on Uzbek musical terminology.
- Rajabov I. Maqomlar Masalasiga Doir (T., 1963)
- • Another important work by Rajabov, addressing the concept of maqom and its relevance to Central Asian musical practices, with a focus on the theoretical and practical aspects of these musical forms.