Articles | Open Access | DOI: https://doi.org/10.37547/tajiir/Volume03Issue05-12

The Implementation Of Makom Music Genre Into The Creative Works Of Uzbek Music Composers (In 1930-1990)

Samandar Kuzievich Khudayberganov , Professor Of The Department Of Music Education, Urgench State University, Uzbekistan
Sarvarbek Uktamboy O`G`Li Yo`Ldoshev , The 3rd Course Student Of The Department Of Music Education, Urgench State University, Uzbekistan

Abstract

This article reveals the essence of the study of the practical basis of Uzbek makoms, the use of maqom, national melodies by the Uzbek music composers. The delineation of Uzbek makoms in the music compositions, the performers of a wide range of national makom music, and the aspects that should be considered, are explained. The creative works by a number of Uzbek composers are also considered.

Keywords

Uzbek music, music art of maqom,, national music

References

Fitrat A. Uzbek classical music and its history. T., 1993.

Rajabov I. Fundamentals of Makom. T., 1992.

Jabborov A. Music Genres of Drama and Comedy used in the Masterpieces of Uzbek composers. T., 2000.

Solomonova T. History of Uzbek Music. T., 1981.

Yearbook: Tashkent and Music Culture Development in Uzbekistan. T., 2009

M.A. Rosenberg. The Genre of Solo Vocal-Symphonic Poem in Uzbekistan;The scientific problems of music in Uzbekistan. -Tashkent, 1973. –P.74

Veksler S. Glier and Uzbek music. T., 1981.

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Samandar Kuzievich Khudayberganov, & Sarvarbek Uktamboy O`G`Li Yo`Ldoshev. (2021). The Implementation Of Makom Music Genre Into The Creative Works Of Uzbek Music Composers (In 1930-1990). The American Journal of Interdisciplinary Innovations and Research, 3(05), 72–75. https://doi.org/10.37547/tajiir/Volume03Issue05-12