Articles
OPEN ACCESS
The Implementation Of Makom Music Genre Into The Creative Works Of Uzbek Music Composers (In 1930-1990)
DOI
Crossref DOI
10.37547/tajiir/Volume03Issue05-12
tajiir
2021
VOL. 3
/ NO. 05
MAY
RESEARCH OVERVIEW
Abstract
This article reveals the essence of the study of the practical basis of Uzbek makoms, the use of maqom, national melodies by the Uzbek music composers. The delineation of Uzbek makoms in the music compositions, the performers of a wide range of national makom music, and the aspects that should be considered, are explained. The creative works by a number of Uzbek composers are also considered.
RESEARCH TOPICS
Keywords
Uzbek music
music art of maqom,
national music
Downloads
Download data is not yet available.
SOURCES & SCHOLARSHIP
References
- Fitrat A. Uzbek classical music and its history. T., 1993.
- Rajabov I. Fundamentals of Makom. T., 1992.
- Jabborov A. Music Genres of Drama and Comedy used in the Masterpieces of Uzbek composers. T., 2000.
- Solomonova T. History of Uzbek Music. T., 1981.
- Yearbook: Tashkent and Music Culture Development in Uzbekistan. T., 2009
- M.A. Rosenberg. The Genre of Solo Vocal-Symphonic Poem in Uzbekistan;The scientific problems of music in Uzbekistan. -Tashkent, 1973. –P.74
- Veksler S. Glier and Uzbek music. T., 1981.