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DOI: The Appearance Of Feature Films In The Life Of The Uzbek People As A Visual Tool Of Social Life
Ayupov Bahodir Rihsiboevich , Teacher Of The National Institute Of Fine Arts And Design Named After Kamoliddin Behzod, Tashkent, UzbekistanAbstract
In the article, some facts are mentioned about the fact that the Soviet Bolshevik leadership attaches great importance to the art of cinema, actively uses cinematography to promote the ideology of Shura and integrate it into the consciousness of the people and does not spare anything for this purpose.
Keywords
Cinematography, ideology
References
N.Karimova. (2016). “Igrovoi kinematograf Uzbekistana”. – p. 99.
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Istoriya kul'tury Uzbekistana etapy, problemy, dostizhenie. (2016). Tashkent, p. 109.
Ungbaeva B.U. (1985). Politika ideologizatsii kinoiskusstva. Na materialakh istorii Uzbekistana. 1920–1930-kh gg. Kino Uzbekistana. Tashkent, p. 21.
Lenin, V. I. (1963). Samoe vazhnoe iz vsekh iskusstv: Lenin o kino. Sbornik dokumentov i materialov. Iskusstvo. p. 22.
Rezolyutsii i resheniya s"ezdov Kompartii UzSSR. (1957). Tashkent, Gosizdat UzSSR,. p. 39, 115.
Abul-Kasymova, Kh. (2008). Kino v sisteme zrelishchnykh iskusstv Uzbekistana. In Zrelishchnye iskusstva v sisteme khudozhestvennoi kul'tury Uzbekistana KhKh veka. T. 1.
Yusupalieva, D. K. (2016). Istoriko-sotsiologicheskii analiz razvitiya televideniya v Uzbekistane. Vestnik Chelyabinskogo gosudarstvennogo universiteta, (1 (383)).
Tsentral'nyi gosudarstvennyi arkhiv Respubliki Uzbekistan. №34-fond, p. 106.
“Ikkinchi khotin” 1927. Film authors: L. Seyfullina, V. Sobberey. Director: M. Doronin, Operator: V. Dobrzhanskii.
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Copyright (c) 2020 Ayupov Bahodir Rihsiboevich
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